The Art of Engagement

Tim Collins
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Can Art Matter?

Replied Oct. 13, 2007

 

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Where do you live?
Black Country, West Midlands, England
Website:
http://3r2n.cfa.cmu.edu
What else do you want us to know?
Prof Timothy Collins, Artist, Associate Dean for Research and Development, Director of the Centre for Art, Design, Research and Experimentation, School of Art and Design, University of Wolverhampton, UK.

Tim Collins is an artist interested in the relationships between art, people, environment and planning. He has worked with scientists, planners and attorneys as he experiments with ideas of creative democratic discourse and freedom/emancipation in relationship to people, places and things - through art practice.

FYI: The 'GROUNDWORKS' catalog an exhibition curated by Grant Kester is available through the Miller Gallery at Carnegie Mellon. It includes international examples of artists working towards social and environmental change; as well as important papers from leading thinkers such as Kester, EcoPhilosopher Andrew Light, and public realm theorist Malcolm Miles.

http://millergallery.cfa.cmu.edu/~miller/exhibitions/catalogues.html

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At 9:17am on November 4, 2009, Cathy Fitzgerald said…
Hi Tim

I'm still working away full-time but found a sliver of time recently to make a new 1 minute film.

I entered it into UK Guardian's 1minutetosavetheworld Climate Change Film Competition -

click the link to see film: http://www.1minutetosavetheworld.com/2009/10/once-i-counted-birds/


Any comments appreciated and hope your tree listening work is going well, my small forest is growing famously in these totally wet Irish summers ;-)

Cathy
At 3:57am on July 27, 2009, AndromedaHeightz said…
Hiya, Albatross...I hope you are both settled by the sea...peace...+
At 12:42pm on June 17, 2009, AndromedaHeightz said…
Hi, Tim

...I've received a message (via Rebecca, MA student) to contact you regarding a tutorial; would Tuesday afternoon be ok with you?

...hope you two are well...keep shining...Andi+
At 11:43pm on June 8, 2009, Cathy Fitzgerald said…
Thanks Tim

For the quick reply, heading off today.

Only in London for Wed and Thurs this week, so unfortunately will only be a quick flyover.

I'm looking forward to following up more of your work

Thanks
Cathy
At 1:10pm on June 8, 2009, Cathy Fitzgerald said…
Hi Tim

I had the good fortune to attend a talk by Suzanne Lacy in Dublin today. I went up to her afterwards and asked her about her work on a particular art and ecology project and she mentioned I should contact you and I found you on this site that I am already on!

I've a background in science as well as fine art and have mixed the two - and ever since coming to ireland I seemed to have been working alongside sustainable foresters... www.ecoartnotebook.com

I was very intrigued by the Groundworks exhibition - I'm going to order it -thanks so much for listing it. I'm off to the UK tomorrow in fact for the first RSA Art and Forestry seminar in London, so its nice to be making these connections. Like Suzanne, I am a full-time arts administrator, only part-time artist but its my slow art, community learning, forestry work that inspires me and if I'm lucky the downturn in the economy might mean a return to full time art

Cathy
At 4:27am on May 10, 2009, AndromedaHeightz said…
...er...yes please...i'll come and find you when i'm in next...have a peaceful weekend+
At 10:46am on May 9, 2009, AndromedaHeightz said…
Hi Tim, I read the 'Ecovention, Current Art to Transform Ecologies' ...at last I am becoming grounded; I felt I should thank you for steering me in the right direction. Sorry to here you're leaving though, but I'm sure our paths will cross again. Many good blessings to you and Reiko...Andi+
ps. I'm staying out of trouble...well, temporarily!
At 2:48pm on November 12, 2007, Caffyn Kelley said…
How thrilled I feel to see you here and read a tiny bit of your thinking on "'degrees of emancipation". Your art and scholarship has informed and inspired me for years. I liked Kestler's (2005) suggestion that in conventional approaches to artistic expression, “the world exists as a vehicle for your own redemption and fulfillment as a subject” (p. 25), and that through adopting a collaborative aesthetic practice, artists engage the world through a durational process in which the goal is not simply to acknowledge the truth of interdependence, but to practice it, to develop it, to work it, and to allow it to unfold over time. Artists and communities become skilled practitioners of dependence via “a reciprocal, durationally extended process of exchange.” I find the old paradigms do keep rearing their ugly heads, whatever theory we feed them, and this notion of "practice" (if not perfect) is very helpful.
At 1:18am on October 13, 2007, Tim Collins said…
Morning all,
Thanks to Ann Rosenthal for encouraging me to push the work aside for a moment and smell the air in the the virtual Northwest!
At 11:09pm on October 11, 2007, Beth Carruthers said…
Tim - Lovely to "see" you here! I too look forward to your participation.
 
 
 

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