The Art of Engagement

TIm Jeeves
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Can Art Matter?

Replied Oct. 12, 2007

 

Tim Jeeves

Plans of Engagment

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Shaquille Maitland-Smith\\blog.\video.\\photo\\
Grunts for the Arts\\blog.\photo.\/ideo.\\\
sick note cUlture\\blog.\\video.\photo.\\

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TIm Jeeves

The Art Stops Here

Yesterday morning, in bright and remarkably warm sunshine, I went down to St Thomas's Place and planted 12 tulip bulbs as a memorial to Shaquille Maitland-Smith's life.

This was not an artwork/intervention/performance; simply an attempt to mark a tragedy with a gesture and hopefully the growth of new life.

It helped fulfil the need to do something that I have been struggling with ever since hearing about Shaquille's death.

It will change little, but what is altered will matter.

Posted on September 30, 2008 at 9:30pm — 1 Comment

TIm Jeeves

Future Performance 1

Summary
Sick Note cUlture gives time - that most precious of commodities - back to the over-worked middle classes of modern urban society.
The project participants will be invited to register on the work's website through fliering in London's financial district. After enrolling for the work they will be contacted by Tim at a date some weeks hence. When this contact is made he will provide them with an appropriate excuse for cancelling all their engagements for the next day, thereby… Continue

Posted on September 29, 2008 at 9:30pm —

TIm Jeeves

Why all this lying?

I was asked the other day if I knew that all my blog posts were shown as being posted in September, even though the majority have been posted in October.
I did.
The confusing date arrangement has arisen because I've been changing the date on each text as it has been posted.

Why have I done this?
No reason really.

It's not very helpful I know, and does make it look my activity has been taking place in the more distant past than it actually has.
But I like it.
I want to have a September's worth… Continue

Posted on September 26, 2008 at 9:30pm —

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Profile Information

Where do you live?
London
Website:
http://www.gruntsforthearts.wordpress.com
What else do you want us to know?
Tim believes the world to be a more interesting place when it's looked at in a certain way. It's more interesting, more beautiful, and sometimes both.
He also thinks it's best not to take ourselves too seriously.
Tim’s work has taken him throughout the UK, Europe and beyond. In 2007, he cofounded the Grunts for the Arts artists collective. (www.gruntsforthearts.wordpress.com)

Comment Wall (11 comments)

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At 12:38pm on October 23, 2008, daedalus said…
"I agree that anyone going out to make a huge change in the short-term is liable to appear ridiculous,"
the crucial word here is 'change' - most aren't attempting a huge change they are after a huge effect (which I believe is the word I originally used) which is a very different thing ...

"today's saviour being tomorrow's dictator?"
surely thats not important? what's important is believing wholeheartedly in what you do and standing by anything that results from what you do (good or bad) in the future - ie honesty always.

'you've got to laugh, it's only life, isn't it?'
but then there's the saying "It's only life. No it's more serious than that."

So do you only measure seriousness in terms of pain?
"life is serious, because it can and does hurt a great deal"

I would argue that the West is in trouble because we no longer try/need to try to be 'the best we can be'.

As the Balinese say, according to McLuhan, when told what Western Art was, “We have no art. We do everything as well as we can."
At 12:07pm on October 21, 2008, daedalus said…
In your blurb you state that we shouldn't take ourselves too seriously. (meaning artists?) Why?
Surely life is a very serious matter. Maybe you mean that humour in art is acceptable? But that doesn't mean that it can't/shouldn't be serious. Or did you have something else in mind?

Previously I meant the broader form of Performance/socially engaged art as being in danger of becoming ridiculous - not just the humourous type - esp when it attempts to affect 'dramatic' change or to say something 'big'.

I'm trying to get at why you think such actions sadly live only in the halcyon past.
At 10:39am on October 21, 2008, daedalus said…
So art that attempts such an affect is in danger of appearing merely ridiculous? But is this due to 'after Auschwitz' or mental fatigue?
(ie an automatic response to an over-saturation of similar messages)

Isn't an art form based on humour liable to full into the same trap?
At 8:34am on October 20, 2008, daedalus said…
Godspeed the Well-Dressed Man

ah timmy! you old thesp....

Did You Know -
The Penis Song from the film Monty Python's The Meaning of Life,
in which Eric Idle as pianoist in the persona of a Noel Coward-style lounge singer: hence the sub-title of the song "Not the Noel Coward Song, has the closing refrain
if you "take it out in public," then "they will stick you in the dock."?

But is it necessary/possible any more for socially engaged performance to have this effect?
At 7:07am on September 23, 2008, rajni shah said…
Hey Tim

You may find that you're in a similar position to me with your work. For years, I felt that I had a real commitment to work that combined a strong sense of aesthetic with a real commtiment to community and social change. However, it's taken me a really long time to find that niche here in the UK. It's only recently, with my work at the drop-in, that I've finally been able to explore that side of things. And the drop-in is a very unusual kind of place!

So although I'm sure your journey is different to mine, I suspect it might just be about context: you're finding work easily in the charities sector, but as an artist you've found more of a home in the Live Art sector. It's hard to know where you might end up, but I suspect the two will somehow become less independent from each other at some point.

As for Latonnya, she is a member of this Ning site: http://thefutureisonthetable.ning.com. She is just starting to explore some ideas and is nervous about taking her first steps as an artist, but I'm sure a dialogue with you would be interesting. And yes, this was the project I was just involved with in Charleston, South Carolina.

rajni.x.
At 4:14pm on October 11, 2007, Amy Lenzo said…
the right hand column of my blog... sorry if that was unclear. :-)
At 4:13pm on October 11, 2007, Amy Lenzo said…
Yeah - I can see where you'd think it is a contradiction - my medium being online. :-)

All I can say is that I really experience the internet's remarkable capacity to bridge distances between people as a deep inspiration. I don't know of any other form that has that scope, and it's the ability to connect with humanity as a whole that gives wings to my imagination ...

You can see my work on my blog: www.beautydialogues.com, and in many of the sites listed in the right hand column (most of which I designed).
At 9:53am on October 9, 2007, Amy Lenzo said…
Tim,

I love what you have to say here, and am very intrigued by your profile photo. :-) It looks so bohemian! :-)

I'd love to see your 'personal' art, which from your description sounds very engaged, at least in ways I believe are crucially important and valuable to all of us - "beauty, intimacy and the understanding of chance and the uncontrollable".
At 5:04am on October 6, 2007, rajni shah said…
Interesting. This is exactly where I am coming from. I do believe that in smaller (and often more valuable) steps many of us are making socially engaged work. I suppose there is a distinction, though, in how we find audiences. To an extent, all performance work is socially engaged because it engages with people and has the potential to change their lives. The difference, for me, is when artists use as a focus of their work their audiences - either through seeking out new audiences, or new ways to engage them. What it comes down to for me is whether an artist is more concerned with these connections, these processes, or with product and commercial success. This, I realise, is a crude and rather rude distinction, but it's what fits in the comments box easily, and might lead to more discussions.

INcidentally, last year at Performance Studies International in London, there was a very interesting discussion about this as part of the Community Performance Work Group. I think there will be one this year in New York also.

Finally, I realised when reading your comment how you were looking at me, rather benevolently, through your chosen profile photo. And then I realised that when people read my comments I'm looking at them rather fiercely with money in my mouth! Ah well. Also provocative...
At 4:39pm on October 5, 2007, janana said…
Hi Tim
Love your grunts site
We do a lot of grunting for arts here in Oz but sport always wins
Will you hold grunt olympics alongside the other in 2012? I am sure we can get an Aussie team... I run speed writing and marathon days for artists here so we are already way ahead..as for the water events i am sure i can train up some wet writers to compete or submerge themsleves in the deeper more subconscious events .. cheeers jan

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